Digging for Meaning

As a kid I always loved cartoons. I would watch them all day and I would buy those disney/painting books to copy draw those characters. Every single cartoon character that I found interesting would promptly get reproduced on one of my drawing books. exactly. I was messy with water colors and like. so I would stick to pencil and sketch pens for these. I would not bother about the colors, but the form was something I could exactly replicate. with pen you can exactly draw what you want. but with brush it requires discipline, something that nothing i have tried my hands at has been able to bestow upon me.  So it was a little weird for me when I first started attempting to use water colors.  With paintings, the colors take primacy (especially in landscape or imagined drawings) over how the image is to be created rather than the boundaries as would be the case (or i thought) with pencil drawings. That is a huge learning i had much later, until which i had given up on painting. I...

I usually seek creativity in form, innovation at structural/conceptual level. So, though i appreciate content, its usually the medium that attracts me more. Thats perhaps the reason these days I am heavily into digging for good installations. I have mentioned my love for work of Olafur eliasson earlier. But then we come across works which are simple and yet so profoundly creative. Yesterday, I saw Anuradha Thakur's exhibit at Jehangir Art Gallery. The first bias set in due to her choice of theme. She has depicted adivasis and their cultures through her work, something which I am keenly interested in appreciating. What really attracts you to her work is her choice of colours. The colors are so natural to indian sensibilities and yet its as if its a new discovery. I haven't seen use of these colors and combination thereof in recent art works. to get an idea of these colors, take out crayons from your sons/daughters/nephew's color boxes and start mixing. Apart from division of...